The Boss

The Boss finds its rhythm in the power dynamics of a single upscale Buenos Aires apartment building. Guillermo Francella plays Eliseo, an individual who uses the guise of a helpful superintendent to weave himself into the private lives of the residents. Rather than a typical workplace comedy, the show operates as a study of calculated interference, where the primary objective is maintaining a position of local authority.

The tension spikes when a proposed pool project threatens the status quo Eliseo has carefully curated. Each episode highlights his transition from a facade of domestic docility to the tactical manipulation required to protect his job. The series draws strength from its narrow scope, focusing on the fragile balance between those who pay the rent and the person who holds the keys to the building.